...who?
This
is a storage area for some projects I've worked on. A new browser
window opens when you click on a link. Best viewed at a screen
resolution of 1024 by 768 px. Internet setting: medium-sized
text. AMH
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Modelling
Musique Concrète (pdf)

(For
SMI
Conference)
2012
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(For
IFS
Conference)
2012
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(For
PPMTA
Conference)
2011
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(For
SMEI
Conference )
2011
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(For PDST
Composing Inservice)
2011
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Being
Practical and Creative with ICT (pdf)

(For
SLSS)
2010
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Teaching
notes for Lyric FM CD

(For
RTE - just
the notes, not the CD)
2010
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©
NOTES for Leaving Certificate Music

(Textbook and workbooks)
2008
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Organising
Sounds

(Electroacoustic
music project)
2008
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Traditional
Irish Music (pdf)
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Travaillons
à Paris

(For TeachNet)
2006 |
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Basic
web-design

(ICT
training for Hibernia)
2005 |
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Harmony
for Leaving Certs (Old notes)

(For
PPMTA
LC Revision Day)
2004 |
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Ode
to MITE (at CRITE)
(For
a Laugh)
2004
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Using
IT in Education
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Talking about IT
in Education
- "Investigating
the Relevance of 19th Century Kindergarten Songs in the 21st
Century Infant Classroom", SMEI,
Limerick. Abstract.
('12)
- "Modelling
Musique Concrète Composing at Secondary School", SMI,
Dundalk. Abstract.
('12)
-
"Creativity and Musicality through Digital Soundscape Composing".
IFS,
Froebel College, Dublin. Abstract.
('12)
- "Musical
Gifts: Composing Songs for Children". IFS, Froebel
College, Dublin. Symposium
Abstract. ('12)
- "Composing
in Secondary Schools in Ireland: sustaining the momentum".
SMEI, Cork. Abstract.
('11)
- "Creativity
and new approaches to CPD for second-level music teachers in
Ireland: A review". RIME,
Exeter. Abstract.
('11)
- "Musique
concrète at secondary school: Asking the 'right ' questions."
RIME, Exeter. Abstract
('11)
- "Digital
Soundscapes: Student teachers organising sounds in a technology-enhanced
learning environment" ATEE.
Prague. Abstract.
('10)
- "Soundscape
as creative endeavour" BERA one-day conference on creativity
and language, Cambridge. ('09)
- "Composing
Musique Concrète at Secondary School: Lessons Learnt
from Pre-Pilot Work". Kaleidoscope,
Cambridge. Abstract.
('09)
- "Students
Organising Sounds: Examining the fragile relationship between
scaffolding and creativity in the area of electroacoustic composition
at secondary school level." RIME,
Exeter. Abstract.
('09)
- "The
Glories of a Blank Screen: Investigating electroacoustic music
at secondary school level." Seminar,
Cambridge. ('09)
- "Tuition
and Intuition: Researching electroacoustic music at secondary
school." Seminar,
DMU, Leicester. ('08)
- "At
the chalkface: Using aspects of Roger Doyle's music to introduce
electroacoustic music to secondary school music students".
EMS08,
Paris. Paper.
('08)
- "An
examination of adolescents' electroacoustic compositions: Developing
an aesthetic". ISME,
Bologna. Abstract.
('08)
- "From
Peering in the Window to Opening the Door:
a constructivist approach to making electroacoustic
music accessible to young listeners." Organised
Sound, 11(2), (179-187). ('06)
- "From
Peering in the Window to Opening the Door:
a constructivist approach to making electroacoustic
music accessible to young listeners." EMS05,
Montréal. ('05)
- "VIEW:
Visually Investigating Electroacoustic Waves"
in IADAT
Journal of Advanced Technology on Imaging and Graphics (39-43)
1, (2) Abstract.
('05)
- "VIEW:
Visually Investigating Electroacoustic Waves."
IADAT, Madrid. Paper.
('05)
- "The
Music of Sound:
A constructivist approach to the comprehension of electroacoustic
music, through the composition of musique concrète, at
post-primary level" MICTE, Caceres. ('05)
- "MOSAIC
in Music Composition" MICTE, Caceres. ('05)
- "The
Music of Sound: A Constructivist Approach to the Comprehension
of Electroacoustic Music, through the Composition of Musique
Concrète at Post-Primary School Level" Trinity
College Dublin. Dissertation
(Microsoft
Award) ('04)
- "Can
we Leave our Composing Unplugged"? St Patrick's
College, Drumcondra, Dublin. ('01)
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Disclaimer:
Anna-Marie Higgins accepts no liability for any loss or damage
arising as a result of use of or reliance on this web page,
nor for the accuracy or integrity of material accessed via links
from this page.
© Anna-Marie Higgins 2013
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